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miberBp Cbitton 

THE WRITINGS OF 
JOHN BURROUGHS 

WITH POBTKAITS AND MANY ILLTJSTKATIONS 

VOLUME xxn 

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John Burroughs (March 2 Sy 1921 ) 




THE WRITINGS 


OP 

JOHN BURROUGHS 

xxn 

UNDER THE MAPLES 



BOSTON AND NEW YORK 

HOUGHTON MIFFLIN COMPANY 
Eitierfiitte |)rci!£i Cambrtttse 
1921 



Copyright Ifltl 

By Houghton Mifflin Comjmny 
AU righta rmrvtd 



PREFACE 


It was wtiile sitting in liis laiy-lairn Btocly in the 
(!atHkills and looking out upon the maple woods of 
the old home farm, and under tlie maples at Eiv- 
erl)y, that the most of these eanays were written, 
during the last two years of the author ’i life. And it 
was to the familiar haunts near his Iludnon River 
home that his tliouglits wistfully turned wliile win- 
tering inBouthern Chdifornia in 19^1. As he pictured 
in liii mind the ice hrtmking up on the river in the 
eiystalline March days, the rciturn nf the birds, the 
first hitpaticiui, he long«id to Im back among them; he 
was there in spirit, gating upon tlie river from the 
iummer«houm^, or from the veranda of the Nest, or 
seated at liis table in the ehestmildiark Study, or 
busy with his sap-gathering and sugar-making. 

Casting aliout for a title for iliis volume, the 
vision of maple-trtH%H ami dripping sap ami crisp 
Marcdi days playing constantly la^fon* Ins mind, 
one day while sorting and shifting the essays for liis 
new hook, he suddenly said, **I have it! Well call 
it Und$r Urn Maplml*' 

Ilia love for the maple, and eoiiifa;|uetitIy his 
pleasure in having hit upon this title, eiin gath- 
ered from the following fnigineiit found tiinong liii 
iiM»c«llaiieous iiotei: *‘I always fca?! at home where 


V 



PREFACE 


the sugar maple grows It was paramount in the 
woods of the old home farm where I grew up. It 
looks and smells like home. When I bring in a ma- 
ple stick to put on my fire, I feel like caressing it a 
little. Its fiber is as white as a lily, and nearly as 
sweet-scented. It is such a tractable, satisfactory 
wood to handle — a clean, docile, wholesome tree; 
burning without snapping or sputtering, easily 
worked up into stovewood, fine of grain, hard of 
texture, stately as a forest tree, comely and clean as 
a shade tree, glorious in autumn, a fountain of cool- 
ness in summer, sugar in its veins, gold in its foliage, 
warmth in its fibers, and health in it the year 
round.” 

Clara Barrus 

The Nest at Riverhy 
West Park on the Hudson 
New York 



CONTENTS 


I. The Falling Leaves 1 

II. The Pleasures of a Naturalist 11 

III. The Flight of Birds S2 

IV. Bird Intimacies . S 9 

V. A Midsummer Idyl 69 

VI. Near Views of Wild Life 79 

VII. With Roosevelt at Pine Knot 101 

VIII. A Strenuous Holiday 109 

IX. Under Genial Skies 127 

I. A Sun-Blessed Land 127 

II. Lawn Birds 129 

III. Silken Chambers 132 

IV. The Desert Note 143 

V. Sea-Dogs 148 

X. A Sheaf of Nature Notes 152 

I. Nature’s Wireless 152 

II. Maeterlinck on the Bee 156 

III. Odd or Even 163 

IV. Why and How 165 

V. An Insoluble Problem 167 

VI. A Live World 169 

VH. Darwinism and the War 172 

VIIL The Robin 175 

IX. The Weasel 177 

X. Misinterpreting Nature 179 

XI. Natural Sculpture 181 

vii 



(X)NTENTS 


XL Ruminationh I hi 

1. Man a Fart of Natim^ Ih| 

IL Marnis Aurelius on Deidli Ih;i 

III. ''rhe Interpn^ter t>f Xattm* Ihil 

IV. Original Sounds Ifiii 

V. The (axsnhe Harmony IfM 

VL (X)sniic Rhythms l!i.1 

VJL The Beginnings of Life I III 

VIIL S|>en(lilirift Naitm^ l!i;» 

XIL New Gleaninoh in Fikui anii SWum Ili7 
L Sunrise Ili7 

IL Nature’s MetluHls I fill 

III. Heads and Tails ^in:$ 

IV. An Unsavory Suhje(*t 

V. (XiancT in Animal Life 

VL Mosquitcx's and Fleas ^ilil 

VIL The (Xiange? of ('limnie in 

Soutliern Uiilifornta in 

VIIL All-Seeing Natui^ 

Index 21# 



LIST OF ILLUSTRATIONS 


UBROUGHS Frontispiece 

a a photograph taken March 23, 1921, at Pasadena 
, California, by Charles F. Luminis. 

Baltimore Orioles and Nest 48 

1 a photograph by Frank M. Chapman 

Eggs of the Vesper Sparrow 80 

1 a photograph by G. Clyde Fisher 

aIj perched on the wheel” 114 

a a photograph. The figures are (left to ri^t) 
nas A. Edison, John Burroughs, Henry Ford, and 
rey S. Firestone. 

:es of Erosion 182 

1 a photograph taken in the Gkirden of the Gods, 
rado, by Charles S. Olcsott. 



UNDER 
THE MAPLES 

I 

THE FALLING LEAVES 

The time of the falling of leaves has come again. 
Once more in our morning walk we tread upon 
carpets of gold and crimson, of brown and bronze, 
woven by the winds or the rains out of these deli- 
cate textures while we slept. 

How beautifully the leaves grow old ! How full of 
light and color are their last days! There are 
exceptions, of course. The leaves of most of the 
fruit-trees fade and wither and fall ingloriously. 
They bequeath their heritage of color to their fruit. 
Upon it they lavish the hues which other trees 
lavish upon their leaves. The pear-tree is often 
an exception. I have seen pear orchards in Oc- 
tober painting a hillside in hues of mingled bronze 
and gold. And well may the pear-tree do this, it 
is so chary of color upon its fruit. 

But in October what a feast to the eye our woods 
and groves present! The whole body of the air 
seems enriched by their calm, slow radiance. They 
are giving back the light they have been absorbing 
from the sun all summer. 


1 



UNDER THE MAPLES 

The carpet of the newly fallen leaves looks so 
clean and delicate when it first covers the paths and 
the highways that one almost hesitates to walk 
upon it. Was it the gallant Raleigh who threw 
down his cloak for Queen Elizabeth to walk upon? 
See what a robe the maples have thrown down for 
you and me to walk upon! How one hesitates to 
soil it! The summer robes of the groves and the 
forests — more than robes, a vital part of themselves, 
the myriad living nets with which they have cap- 
tured, and through which they have absorbed, the 
energy of the solar rays. What a change when the 
leaves are gone, and what a change when they come 
again! A naked tree may be a dead tree. The 
dry, inert bark, the rough, wirelike twigs change 
but little from summer to winter. When the leaves 
come, what a transformation, what mobility, what 
sensitiveness, what expression! Ten thousand 
delicate veined hands reaching forth and waving 
a greeting to the air and light, making a union and 
compact with them, like a wedding ceremony. 
How young the old tre^ suddenly become! what 
suppleness and grace invest their branches! The 
l^ves are a touch of immortal youth. As the 
cambium layer beneath the bark is the girdle of 
perennial youth, so the leaves are the facial ex- 
pression of the same quality. The leaves have their 
day and die, but the last leaf that comes to the 
branch is as young as the first. The leaves and 


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TIIK FALLING LEAVES 

till* blossom and the fruit of the tree eome and go, 
yet they age not; under tlic magic touch of spring 
the miracle is rc|>eated over and over. 

The maples jierhapa undergo tlie moat complete 
transformation of all the forest trees. Their leaves 
fairly lavomo luminous, aa if they glowed with 
inward light. In tletolHjr a maplc-tria* hi'forc 
your window lights up your room like a great lamp. 
Even on cloutly days its prestiuce helps to di.sjK;l 
the gloom. The elm, the oak, the Iwetrh, |>os.se.ss 
in a much less degrt;© that quality of lumitJosity, 
though certain species of oak at times are rich in 
shad^ of red and bronze. The leaves of the trees 
just named for the most part turn brown before 
they fall. The great leaves of the sycamore assume 
a rich tan-eolor like fine leather. 

The spider weaves a not out of her own vitals 
with whieh to capture her prey, but the net is not 
a part of herself as tlie leaf is a part of the tree. 
'I'he spitler repairs her damaged net, hut the tree 
never »i pairs its leaves. It may put forth now 
leaves, but it. never essays to pati'h up the old ones. 
Every tree has sueh a supcrultuiulanee of leaves 
that a few more or le.ss or a few torn and bruised 
ones ill) nut seem to mutter. When the leaf 
Hurruee is aeiiuusly eurtailed, as it often is by some 
inseel jH-st, or sume form of leaf-blight, or by the 
ravages of a hail slorm, the growth of the tree and 
the maturing of its fruit is seriously checked. To 



UNDER THE MAPLES 

denude a tree of its foliage three years in succession 
usually proves fatal. The vitality of the tree 
declines year by year till death ensues. 

To me nothing else about a tree is so remarkable 
as the extreme delicacy of the mechanism by which 
it grows and lives, the fine hairlike rootlets at the 
bottom and the microscopical cells of the leaves at 
the top. The rootlets absorb the water charged 
with mineral salts from the soil, and the leaves 
absorb the sunbeams from the air. So it looks as 
if the tree were almost made of matter and spirit, 
like man; the ether with its vibrations, on the one 
hand, and the earth with its inorganic compounds, 
on the other — earth salts and sunlight. The sturdy 
oak, the gigantic sequoia, are each equally finely 
organized in these parts that take hold upon nature. 
We call certain plants gross feeders, and in a sense 
they are; but all are delicate feeders in their 
mechanism of absorption from the earth and air. 

The tree touches the inorganic world at the two 
finest points of its structure — the rootlets and 
the leaves. These attack the great crude world 
of inorganic matter with weapons so fine that only 
the microscope can fully reveal them to us. The 
animal world seizes its food in masses little and big, 
and often gorges itself with it, but the vegetable, 
through the agency of the solvent power of water, 
absorbs its nourishment molecule by molecule. 

A tree does not live by its big roots — these are 


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THE FALI.ING LEAVES 

nininly for stronslli and to hold it to the ground. 
How thi'y gri[> the rcHiks, fitting themselves to them, 
ns Ixiwell says, like molten luetid! The tree’s life 
is in the; fine luiirlike rootlets that spring from the 
riHits. Dnrwin snys those rootlets behave as if 
t hey had minute brains in their extremities. They 
feel their wny into the noil; they know the elements 
the plant wants; some sekict more lime, others 
more potash, others more magnesia. The wheat 
rootlets si^Uait more silica to make the stalk; the 
I>ea rootlets select more lime: the pea does not 
need the silica. The individuality of plants and 
trees in Uiis resjKict is most remarkable. The 
cells of each seem to know what particular elements 
they want from the wiil, as of course they do. 

The vital activity of tlie tree goes on at three 
IKiints—in the leaves, in the rootlets, and in the 
cambium layer. The activity of the leaf and root- 
let funH,shes the starchy deposit which forms this 
generative layer - the milky, inncilaginoua girdle 
of matter In'twiaui the outer bark and the wood 
through which the tree grows and increases in size. 
(»<*iu*r<it.iou and regeneration take place through 
this layer. I have culled it the girdle of perpetual 
youth. It iu*vcr grows old. It is annually renewed, 
'fhe heart of the old apiile-tree may decay and 
ilisappear, indeiHl the Irw may he reduced to a 
mere shell ami many of its hrauches may die and 
fall, but tlie few apples which it still bears attest 

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